1998 – 1999
September 5 – October 12 Opening Show
Prints from the Collection of Clarence Otis Jr., and Jacquelyn L. Bradley
The Legendary Series –
The 1998 – 1999 exhibition season at The Zora Neale Hurston National Museum of Fine Arts featured the work of four of the most prominent contemporary visual artists – Samella Lewis, John Biggers, Elizabeth Catlett, and William Pajaud. Dr. M.J. Hewitt was guest curator:
October 17 – November 28 The Work of Samella Lewis
January 17 – February 26 The Work of John Biggers
March 15 – April 30 The Work of Elizabeth Catlett
May 8 – August 7 The Work of William Pajaud
1999 – 2000
September 11 – October 23 Leon L. Theodore: A Retrospective
Exhibition – Part I (1960s – 1970s)
Guest Curator, Trent Tomengo
November 13 – December 30 Leon L. Theodore: A Retrospective
Exhibition – Part II (1980s – 1990s)
Guest Curator, Trent Tomengo
These two retrospective exhibitions honor the life and artistic legacy of the late Leon L. Theodore, founder and curator of The Hurston.
January 8 – March 3 Sankofa Style: 19th Century African
American Furniture Makers – Curator, Gylbert Coker.
The Sankofa Style exhibit presents a selection of furniture by several free black artisans who maintained businesses within their communities during the 1820 – 1860 period known as the “the Golden Era.” This exhibition also presents several works by slave artisans.
March 15 – May 5 Mary Proctor, Divine Painter: Fabrication on
Found Wood by Regional Self-Taught Artist and Missionary.
May 20 – August 11 Quilters’ Exhibition: Expression from “The
Home”
2000 – 2001
September 9 – November 4 The Sculptures of Jesse Aaron: A Rough
Artist – Curator, Gylbert Coker
Jesse Aaron’s sculpture is characterized by and noted for its rough, gestural depictions of human and animal forms.
November 13 – December 8 Urban Art Through the Eyes of Children
- Curator, Dorothy Shabazz
Works in various media from children (ages 6 – 16) in the Central Florida area highlight their vibrant creativity and growing knowledge of diverse cultural heritages, art materials and art making processes.
Partially funded by the Orange County Citizens’ Commission for Children
December 18 – February 5 Photographic Visions – Carrie Mae
Weems – Curator, Gylbert Coker
Exhibition featured photographs from Carrie Mae Weems’ critically acclaimed Sea Island Series and From Her “I Saw What Happened and I Cried Series.”
February 19 – March 30 The Mural Project: Residency of John
Biggers and William Pajaud
Legendary artists John Biggers and William Pajaud created a mural in the gallery space in the Hurston Museum. Four apprentices – Gerald Habarth, Trent Tomengo, Derrick Washington (University of South Florida) and Natalie Lovejoy (University of Central Florida) – assisted in executing the mural.
April 14 – May 11 Connecting Andre Smith and Zora Neale
Hurston: Maitland and Eatonville as Adjoining Communities – Lead Scholar, Dr. Beverly Robinson
May 19 – August 17 Prints by Kabuya Bowens – Curator,
Gylbert Coker
The prints featured in this exhibition merged traditional Western and African visual imagery. Bowens’ works conveyed a metaphysical aura of the ancient civilizations of Africa and the bond between ancient, almost mystic cultures.
2001 – 2002
September 8 – November 21 Terry Adkins: Altar Encore
Acclaimed sculptor and musician, Terry Adkins, reproduced an installation he has dedicated to Zora Neale Hurston. The installation was created on-site with material from the sponsoring community – Eatonville, FL.
December 8, 2001 – February 15 Willie Birch: 1994 – 1997
Willie Birch’s exhibition at The Hurston featured paintings and paper mâché sculptures that reflect the artist as a Black American while transcending race and culture, maintaining universal elements of communication.
March 2 – May 3 Jane Turner: Eatonville Artist
This exhibition featured the work of Eatonville artist Jane Turner, graduate of Tuskegee Institute and one of Central Florida’s emerging artists. Tuner says her work purports “to capture the job of living, my love for people, and the many colors and turns that life offers.”
May 18 – August 30 Caribbean Images from the Collection of
Dr. Janet L. DeCosmo
This exhibition focused on the Caribbean works from Dr. DeCosmo’s extensive collection of art from the Caribbean, Central and South America. As an outreach activity, Dr. DeCosmo conducted a Junkanoo mask-making and performance workshop with children attending the annual Summer Performing Arts Workshop (SPAW X) hosted by Preserve the Eatonville Community.
2005 – 2006
September 17 – December 10 Jump at the Sun: Zora Neale Hurston
and Her Eatonville Roots
This exhibition invited the visitor into “Zora’s World” – late 19th century Florida – Eatonville. It served as a primer to understanding her life, her contributions to the arts and humanities, and the cultural antecedents upon which she relies.
December 31, 2005 – March 31, 2006 Traditional African Culture: Cultural
Catalyst of the Diaspora – Curator,
Ernestine Maat Ray. This exhibition showcased the work of London-based photographer and ceramic artist, Maxine Muhammad. It was a pictorial exploration and celebration of the evolution of African culture and practice seen throughout the Diaspora – Africa, North and South American, the Caribbean and Europe.
April 22 – August 18, 2006 American Culture and African Textiles:
An Enduring Relationship
This exhibition explored the dynamic contribution of African textile traditions and crafts persons to the development of African American quilts and American textile design.
2006 – 2007
September 16 – December 29, 2006 The Ties that Bind: African Textiles and
The Diaspora
This exhibition was the second installment of a two-part series focusing on African textiles. It highlighted important textiles from West Africa which offered a direct link to the design considerations in the African American quilt.
January, 20 – April 27, 2007 The Eatonville Quilters – A Celebration
A Community Tradition
Based on field research conducted by folklorist and oral historian, Worth Long, who conducted the project through grant assistance provided by the Bureau of Historic Preservation, Division of Historical Resources, Florida Department of State, assisted by the Historic Preservation Advisory Council, this exhibition featured the craft of Eatonville matrons ranging in age from their early 60s to their late 80s. This was a companion exhibition to the Orlando Museum of Art’s African American Quilters of Gee’s Bend, Alabama and Central Florida.
May 12 – August 24, 2007 African Metalwork and Currency
This exhibition centered on metal as currency for trade, a measure of wealth and a display of social status.
2007 – 2008
September 15 – December 15, 2007 Too Old a Hand
Featured the works of a collection of artists who specialized in imagery which reflects the folklore of their respective native lands. It also paid tribute to Zora Neale Hurston’s own love of anthropological research.
January 26 – April 26, 2008 Kindred Spirits: Installations by Betye
Saar and Mildred Howard
This exhibition featured an installation of mystical things, a unique artistic genre that even seasoned arts patrons seldom have an opportunity to see. Guests experienced how art is made from “myth and ritual, memory and place, religion and family, metaphor and symbolism, music tradition and found objects.”
May 15 – August 24, 2008 Sam Gilliam: Recent Works
The works of world-renowned artist, Sam Gilliam, are featured in an installation art exhibit at the Zora Neale Hurston National Museum of Fine Arts (The Hurston) in Eatonville. The exhibit, entitled “Sam Gilliam: I Adapt to Eatonville,” was specially created for The Hurston and will be on display through August 24.
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